Blogs & Theories

A research-led analysis of Deloitte’s 2025 outlook and what a finite daily entertainment window means for film, television, games, and short-form media.

A deep analysis of PwC’s 2026 outlook on slower subscription growth and the growing role of advertising in the streaming business.

A source-led explainer on SAG-AFTRA’s 2026 agreement and why consent, compensation, digital replicas, and human performance remain active industry questions.

An evidence-led analysis of PwC’s box-office outlook and the theatre upgrades designed to make a shared screen experience distinct from home viewing.

A theory-led look at PwC’s 2026 outlook and why technological change continues to make human judgement, trust, and craft central to media value.

LG Channels and Lionsgate announced timed, ad-supported film-franchise channels for U.S. and Canadian audiences. The key story is programming windows, not permanent access or an India launch.

Disney's reported HR and technology cuts show continued cost control, but not a production shutdown, precise final headcount or proven automation replacement.

The Drive-In’s proposed TVOD model gives independent filmmakers unusual control over pricing, rights, territory and audience data. Its harder test is whether control can become dependable discovery and transparent payment.

As subscription prices rise, the reported debate is moving beyond monthly fees toward the perceived value of release schedules, catalogues, and viewer attention.